The migrating mourning objects created for the time of temporary museum will become a public space for the right to commemorate and mourn.How and whom to commemorate? Why is it worth being hysterical and conspiratorial? Why is Venus de Milo more attractive without hands? Does "Antigone" come alive as a melodrama? What can be found in animal cemeteries, in major museums, under Bydgoszcz monuments and in Sophocles' stanzas? How were we taught antiquity and say goodbye? Why mystify, bring out what is non-existent and analyze the "lack"? Maybe when mourning in the public space is turned on conservator and station, the recovery of diaries and mourning - non-normative, and marginal, "Marginal", "Danamora", has a weak social and cultural position, has a reference point to the strategy of resistance and change.
premiere: June 2021
duration: 1h 10 (without interval)
produced by Teatr im. H. Konieczki in Bydgoszcz
CAST: Natasza Aleksandrowitch, Paweł L. Gilewski, Marian Jaskulski, Katarzyna Pawłowska, Emilia Piech, Hanka Podraza, Michał Surówka, Małgorzata Witkowska
script and directing: Klaudia Hartung-Wójciak
dramaturgy: Iga Gańczarczyk
set design: Barbara Hanicka
costumes: Hanka Podraza
music: Piotr Peszat
vocal consultation: Bartosz Lisik
light design: Jędrzej Jędzikowski
consultation: Klara Momro
stage manager: Hanna Gruszczyńska
REVIEWS: https://e-teatr.pl/slad-psiej-lapy-13852
https://e-teatr.pl/guldapoleca-ach-jezeli-przyjde-dac-tak-okrutne-moje-ostatnie-pozegnanie-13171
https://e-teatr.pl/lament-pomiedzy-rzezbami-13342
